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USED Canon 70-300mm F4-5.6 L IS USM Lens

4.5 out of 5 stars 313 ratings

$1,419.95
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Purchase options and add-ons

Brand Canon
Focal Length Description 70-300
Lens Type Telephoto
Compatible Mountings Canon EF
Camera Lens Description 300 month

About this item

  • Impressive focal range.Diagonal Angle of View 34° - 8° 15'
  • Travel friendly size, packs small and stays small with a manual lock switch on side of barrel. Note: lens can only be locked at 70mm range as it is for travel only. Focal Length & Maximum Aperture: 70-300mm 1:4-5.6
  • Focus Adjustment Type - lens extension via inner focusing focus cam, plus floating mechanism.Closest Focusing Distance: 1.2m/ 3.9ft
  • Note that when the inner lens is fully extended (300mm) it's approximately 8.25" in overall length. The 5.6" measurement is at the 70mm range when lens is closed/locked.
  • Suitable for Nature/ landscape/ sports/ travel photography

Buy this product as Renewed and save $477.96 off the current New price.

Canon EF 70-300mm f/4-5.6L is USM UD Telephoto Zoom Lens for Canon EOS SLR Cameras (Renewed) $941.99 & FREE Shipping
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From the manufacturer

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Canon EF 70-300mm f/4-5.6L IS USM UD Telephoto Zoom Lens for Canon EOS SLR Cameras

Description:

The EF 70-300mm f/4-5.6L IS USM is part of Canon’s prestigious L series offering performance excellence with a versatile zoom range and superb image quality in a robust and compact design.

Features:

  • High performance telephoto zoom lens
  • Part of Canon’s acclaimed L series
  • 4 stop Image Stabilizer
  • Two UD elements
  • 8 blade circular aperture

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USED Canon 70-300mm F4-5.6 L IS USM Lens
USED Canon 70-300mm F4-5.6 L IS USM Lens
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Price$1,419.95$1,599.00$2,699.00$1,148.99$746.20$9,899.00
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Product information

Product Dimensions 5.63 x 3.5 x 3.5 inches
Item Weight 2.31 pounds
ASIN B0040X4PQI
Item model number 4426B002
Batteries 1 Lithium Ion batteries required.
Customer Reviews
4.5 out of 5 stars 313 ratings

4.5 out of 5 stars
Best Sellers Rank #1,677 in SLR Camera Lenses
Is Discontinued By Manufacturer No
Date First Available August 26, 2010
Manufacturer Canon Cameras US
Country of Origin Japan

Warranty & Support

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USED Canon 70-300mm F4-5.6 L IS USM Lens


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Product guides and documents

Product Description

Product Description

Ultra-high quality and lightning fast Canon L series lens Optical Image Stabilization System increases usability by approximately four stops The lens features a function that prevents erroneous operation when the lens is mounted on a tripod or monopod The EF 70-300 f/4-5.6L IS USM incorporates a floating focusing mechanism for sharpness from 3.9' (1.2m) to infinity Two Ultra Low Dispersion (UD) elements for improved image quality and reduced chromatic aberration The lens accepts an optional removable tripod collar, and is dust and water resistant The Fluorine coating keeps soiling, smears and fingerprints to a minimum

From the Manufacturer

Designed to deliver ultra-high quality images along with lightning fast operation, the new Canon EF 70-300 f/4-5.6L IS USM telephoto zoom lens brings a favorite zoom range to the celebrated Canon L-series of lenses. It features two Ultra Low Dispersion (UD) elements for improved image quality and reduced chromatic aberration, incorporates a floating focusing mechanism for sharpness from close up to infinity, plus an IS system that increases usability by approximately four stops. The EF 70-300 f/4-5.6L IS USM features a function that prevents erroneous operation when the lens is mounted on a tripod or monopod. Gleaming white, with a removable tripod collar, dust and water resistant construction, and a newly developed Fluorine coating that keeps soiling, smears and fingerprints to a minimum, its phenomenal performance and flexibility is assured. For portraiture or to bring what's far away up close, this addition to the L-series is guaranteed to perform.

Technical Specifications

  • Focal Length & Maximum Aperture: 70-300mm 1:4-5.6
  • Diagonal Angle of View: 34' - 8° 15'
  • Focus Adjustment: Lens extension via inner focusing and focus cam plus floating mechanism
  • Closest Focusing Distance: 1.2m/ 3.9ft
  • Drive System: Ring USM
  • Filter Size: 67 mm dia., P=0.75 mm /1 filter
  • Max. Diameter x Length, Weight: 3.5 x 5.6 in, 2.31 lbs. / 89 x 143mm, 1050g

Customer reviews

4.5 out of 5 stars
313 global ratings

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Share your thoughts with other customers

Customers say

Customers praise the lens's sharpness, particularly for wildlife photography, and appreciate its build quality, focusing speed, and compact size that fits well in camera bags. The zoom range offers more reach than common 70-200mm lenses. While some customers find it not too heavy to carry all day, others consider it very heavy. The value for money receives mixed reviews, with some finding it worth the price tag while others consider it pricey.

AI-generated from the text of customer reviews

113 customers mention "Sharpness"113 positive0 negative

Customers praise the lens's sharpness, particularly for wildlife photos and indoor shots, with one customer noting its beautiful bokeh from out-of-focus planes.

"...I couldn't believe the minimal lens flare when the sun is in the frame! These are sophisticated optics! Still, there are always compromises...." Read more

"...The autofocusing speed is very fast and silent. The bokeh from out-of-focus planes are beautiful, and is still quite easy to get even with f/5.6..." Read more

"...I've gotten a decent percentage of sharp pictures in low light at 1/30 at 300mm, 1/20 just before dawn...." Read more

"...picture, Is this like new?Item is functioning perfectly and test shots look great...." Read more

92 customers mention "Lens quality"92 positive0 negative

Customers find the lens to be fantastic, with one customer noting it performs particularly well for racing and wildlife photography.

"...These are sophisticated optics! Still, there are always compromises. In this lens, you get a wide zoom range (70-300) in a small overall package...." Read more

"...at-home personal tests and I must say that this lens is an absolute excellent performer. But is it the right lens for me and is the price justified?..." Read more

"...Color rendering is very true-to-life, and the IS is a godsend...." Read more

"...update: Good,Good,Good. Was amazed! keeping it." Read more

51 customers mention "Build quality"43 positive8 negative

Customers praise the lens's build quality, describing it as solid and reliable, with one customer noting its substantial size and heft.

"...and other photographer's enemies means it will be trustworthy under all reasonable conditions...." Read more

"...The build quality is just superb. Everything about it makes you fall in love...." Read more

"...Even after cropping the quality is still superb. So what's the ideal bird range? Zoo range. *..." Read more

"This lens has some very promising features: build quality, optical quality, image stabilization, optical glass, and the usual overall "L"..." Read more

38 customers mention "Zoom range"32 positive6 negative

Customers love the zoom range of this lens, which offers more reach than common 70-200mm lenses, with one customer noting its smooth operation.

"...Still, there are always compromises. In this lens, you get a wide zoom range (70-300) in a small overall package...." Read more

"...The performance of this lens still amazes me. The zoom barrel extends and retracts fluidly and there's no wobbling of any sort...." Read more

"...I had no problems with mixing up the focus and zoom rings... an issue previous reviewers had found...." Read more

"...that purpose, but based on my recent work at a wedding, it nicely covers that range if you are pressed...." Read more

34 customers mention "Focusing speed"30 positive4 negative

Customers appreciate the lens's focusing speed, noting that it is fast, sharp, and always spot-on, with one customer mentioning its pseudo macro abilities.

"...Meanwhile, the fast and very accurate ultrasonic focus motor does a great job in critical focusing...." Read more

"...Since this is a full-time manual focus (quick shift) lens I can hold the focus ring even while it focuses in Auto mode...." Read more

"...EVERYTHING is magnificant... the lens is quiet, quick as can be and I love the ability to fine tune the focus while still in automatic focus...." Read more

"...are now FAR sharper, the Image Stabilization works great and autofocus is super quick and is spot on and virtually silent...." Read more

28 customers mention "Size"25 positive3 negative

Customers appreciate the lens's compact size, noting that it fits well in camera bags like the Lowepro 300 and has a good length.

"...The fact that it is relatively small and easily packed means it can be with me whenever needed...." Read more

"...The throw is not too long or short (120 degrees), with just enough sensitivity to make minute adjustments...." Read more

"...It's also not big for what it is, that was one thing I was worried about - going to sporting events (mainly auto races) you'll be in crowds and the..." Read more

"...This lens is short enough that a tripod mount on the lens is probably not necessary (presuming you are using a quality tripod)...." Read more

75 customers mention "Weight"39 positive36 negative

Customers have mixed opinions about the lens's weight, with some finding it not too heavy to carry all day and easy to carry, while others describe it as very heavy.

"...The fact that it is relatively small and easily packed means it can be with me whenever needed...." Read more

"...It's not light by any means, but well-balanced on a Rebel body with a battery grip, and I'd imagine even more so on a prosumer or pro body...." Read more

"...gets under 30mpg - it is what it is, and for what it is, it ain't heavy. I spent a day in the field with it and didn't really notice it...." Read more

"...* Heavier than 24-105mm for comparison purposes (twice the weight?) * Heavier than 17-40mm definitely Notes: *..." Read more

37 customers mention "Value for money"22 positive15 negative

Customers have mixed opinions about the lens's value for money, with some finding it worth the price tag while others consider it pricey.

"...So does this lens perform? OH YES. Is it worth its cost? Not so much for the kind of photos I usually take. Will I sell it?..." Read more

"...If you have any doubts, rent it first. It is a lot of money to put out if you are not going to use it as it was designed...." Read more

"...It is a fantastic lens--worth every penny I paid for it...." Read more

"...quality images AND lens build quality, reliability, longevity, and overall value. This a "permanent collection" quality lens...." Read more

Perfect telephoto for travel
5 out of 5 stars
Perfect telephoto for travel
I'm a scientific imaging professional and I selected this lens for a travel kit along with an EOS 6D body and an EF 24-105mm 4/L IS USM lens. This lens is physically shorter than either of the L series 70-200mm telephoto zoom lenses and thus it is easier to pack. The whole rig - camera body and two lenses - fits a padded bag the size of a small lunch box. In some ways the compactness of this lens also makes it easier to manage on the camera as well. Balance on the 6D body is very good and handling feels very natural. High quality, solid mechanical design are obvious in every detail. The fact that it resists rain, dust, and other photographer's enemies means it will be trustworthy under all reasonable conditions. Concerning handling, some reviews criticize the location of the zoom ring on this lens. I find that to be an empty criticism unless perhaps you are very set in your methods and very much in a hurry. Here is what I find using this lens: The focus ring is wide so it feels just as natural to hold either focus ring or the zoom ring (which is closer to the end glass). Holding the lens farther forward (the zoom ring) improves stability, and shot composition using the zoom is then easy to tweak. Meanwhile, the fast and very accurate ultrasonic focus motor does a great job in critical focusing. If focus isn't exactly correct you could move your hand to the focus ring and get it perfect. But doing that is typically slower than re-aiming the focus sensor and refocusing automatically before taking your shot. So think about how you approach fast-action shooting and decide for yourself whether the zoom ring needs to be in the same location for every lens. For me - I get more useful material thinking about composition, using autofocus, and taking extra shots. Optically, this lens is a gem. It is extremely crisp. Details are sharp and (with the 6D body) colors have beautiful, natural saturation. I couldn't believe the minimal lens flare when the sun is in the frame! These are sophisticated optics! Still, there are always compromises. In this lens, you get a wide zoom range (70-300) in a small overall package. What you give up is long-end maximum aperture - only f5.6. While that f5.6 is a bit of a downside, here is the nominal maximum aperture (reported by the EOS 6D body) vs. zoom range - you can decide for yourself whether the working apertures are adequate. f4.0 = 70-100mm, f4.5 = 100-160mm, f5.0 = 160-220mm, f5.6 = 220-300mm. In the shooting I have done so far, any kind of daylight and you're good. In dim conditions, you will be pushing ISO (and loosing detail) or needing a steady rest or tripod. FWIW, I find I'm rarely zoomed out into the f5.6 range, plus the image stabilization has never given me a shaky image in daylight. At long reaches I get slightly sharper images when the lens aperture is stopped down at least to f8. In summary, color rendition, contrast and sharpness are the really strong points of this lens. The fact that it is relatively small and easily packed means it can be with me whenever needed. I can hardly wait to tote this little rig on a flight to some exotic spot where the beauty of nature and people is there for the taking. Update: I have now been halfway around the world with this kit (6D body and two zoom lenses), carrying it all day/every day. You do notice some weight but it is very manageable. The trade-off is there is no substitute for the L series lens quality and the results speak for themselves. Looking at the photos people comment that the places visited look incredible! That impression starts with the technical quality of the lenses and body. [Tip from experience: I find it useful to check the AF and IS switch settings each time the lens goes on the camera because they can accidentally change during handling plus it is easy to forget that you intentionally changed them.]
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Top reviews from the United States

  • Reviewed in the United States on February 7, 2013
    Style: Lens OnlyVerified Purchase
    I'm a scientific imaging professional and I selected this lens for a travel kit along with an EOS 6D body and an EF 24-105mm 4/L IS USM lens. This lens is physically shorter than either of the L series 70-200mm telephoto zoom lenses and thus it is easier to pack. The whole rig - camera body and two lenses - fits a padded bag the size of a small lunch box. In some ways the compactness of this lens also makes it easier to manage on the camera as well. Balance on the 6D body is very good and handling feels very natural. High quality, solid mechanical design are obvious in every detail. The fact that it resists rain, dust, and other photographer's enemies means it will be trustworthy under all reasonable conditions.

    Concerning handling, some reviews criticize the location of the zoom ring on this lens. I find that to be an empty criticism unless perhaps you are very set in your methods and very much in a hurry. Here is what I find using this lens: The focus ring is wide so it feels just as natural to hold either focus ring or the zoom ring (which is closer to the end glass). Holding the lens farther forward (the zoom ring) improves stability, and shot composition using the zoom is then easy to tweak. Meanwhile, the fast and very accurate ultrasonic focus motor does a great job in critical focusing. If focus isn't exactly correct you could move your hand to the focus ring and get it perfect. But doing that is typically slower than re-aiming the focus sensor and refocusing automatically before taking your shot. So think about how you approach fast-action shooting and decide for yourself whether the zoom ring needs to be in the same location for every lens. For me - I get more useful material thinking about composition, using autofocus, and taking extra shots.

    Optically, this lens is a gem. It is extremely crisp. Details are sharp and (with the 6D body) colors have beautiful, natural saturation. I couldn't believe the minimal lens flare when the sun is in the frame! These are sophisticated optics! Still, there are always compromises. In this lens, you get a wide zoom range (70-300) in a small overall package. What you give up is long-end maximum aperture - only f5.6. While that f5.6 is a bit of a downside, here is the nominal maximum aperture (reported by the EOS 6D body) vs. zoom range - you can decide for yourself whether the working apertures are adequate. f4.0 = 70-100mm, f4.5 = 100-160mm, f5.0 = 160-220mm, f5.6 = 220-300mm. In the shooting I have done so far, any kind of daylight and you're good. In dim conditions, you will be pushing ISO (and loosing detail) or needing a steady rest or tripod. FWIW, I find I'm rarely zoomed out into the f5.6 range, plus the image stabilization has never given me a shaky image in daylight. At long reaches I get slightly sharper images when the lens aperture is stopped down at least to f8.

    In summary, color rendition, contrast and sharpness are the really strong points of this lens. The fact that it is relatively small and easily packed means it can be with me whenever needed. I can hardly wait to tote this little rig on a flight to some exotic spot where the beauty of nature and people is there for the taking. Update: I have now been halfway around the world with this kit (6D body and two zoom lenses), carrying it all day/every day. You do notice some weight but it is very manageable. The trade-off is there is no substitute for the L series lens quality and the results speak for themselves. Looking at the photos people comment that the places visited look incredible! That impression starts with the technical quality of the lenses and body. [Tip from experience: I find it useful to check the AF and IS switch settings each time the lens goes on the camera because they can accidentally change during handling plus it is easy to forget that you intentionally changed them.]
    Customer image
    5.0 out of 5 stars
    Perfect telephoto for travel

    Reviewed in the United States on February 7, 2013
    I'm a scientific imaging professional and I selected this lens for a travel kit along with an EOS 6D body and an EF 24-105mm 4/L IS USM lens. This lens is physically shorter than either of the L series 70-200mm telephoto zoom lenses and thus it is easier to pack. The whole rig - camera body and two lenses - fits a padded bag the size of a small lunch box. In some ways the compactness of this lens also makes it easier to manage on the camera as well. Balance on the 6D body is very good and handling feels very natural. High quality, solid mechanical design are obvious in every detail. The fact that it resists rain, dust, and other photographer's enemies means it will be trustworthy under all reasonable conditions.

    Concerning handling, some reviews criticize the location of the zoom ring on this lens. I find that to be an empty criticism unless perhaps you are very set in your methods and very much in a hurry. Here is what I find using this lens: The focus ring is wide so it feels just as natural to hold either focus ring or the zoom ring (which is closer to the end glass). Holding the lens farther forward (the zoom ring) improves stability, and shot composition using the zoom is then easy to tweak. Meanwhile, the fast and very accurate ultrasonic focus motor does a great job in critical focusing. If focus isn't exactly correct you could move your hand to the focus ring and get it perfect. But doing that is typically slower than re-aiming the focus sensor and refocusing automatically before taking your shot. So think about how you approach fast-action shooting and decide for yourself whether the zoom ring needs to be in the same location for every lens. For me - I get more useful material thinking about composition, using autofocus, and taking extra shots.

    Optically, this lens is a gem. It is extremely crisp. Details are sharp and (with the 6D body) colors have beautiful, natural saturation. I couldn't believe the minimal lens flare when the sun is in the frame! These are sophisticated optics! Still, there are always compromises. In this lens, you get a wide zoom range (70-300) in a small overall package. What you give up is long-end maximum aperture - only f5.6. While that f5.6 is a bit of a downside, here is the nominal maximum aperture (reported by the EOS 6D body) vs. zoom range - you can decide for yourself whether the working apertures are adequate. f4.0 = 70-100mm, f4.5 = 100-160mm, f5.0 = 160-220mm, f5.6 = 220-300mm. In the shooting I have done so far, any kind of daylight and you're good. In dim conditions, you will be pushing ISO (and loosing detail) or needing a steady rest or tripod. FWIW, I find I'm rarely zoomed out into the f5.6 range, plus the image stabilization has never given me a shaky image in daylight. At long reaches I get slightly sharper images when the lens aperture is stopped down at least to f8.

    In summary, color rendition, contrast and sharpness are the really strong points of this lens. The fact that it is relatively small and easily packed means it can be with me whenever needed. I can hardly wait to tote this little rig on a flight to some exotic spot where the beauty of nature and people is there for the taking. Update: I have now been halfway around the world with this kit (6D body and two zoom lenses), carrying it all day/every day. You do notice some weight but it is very manageable. The trade-off is there is no substitute for the L series lens quality and the results speak for themselves. Looking at the photos people comment that the places visited look incredible! That impression starts with the technical quality of the lenses and body. [Tip from experience: I find it useful to check the AF and IS switch settings each time the lens goes on the camera because they can accidentally change during handling plus it is easy to forget that you intentionally changed them.]
    Images in this review
    Customer imageCustomer image
    87 people found this helpful
    Report
  • Reviewed in the United States on August 22, 2011
    Style: Lens OnlyVerified Purchase
    Okay, so I've played around with this lens with my 60D including some at-home personal tests and I must say that this lens is an absolute excellent performer. But is it the right lens for me and is the price justified? That I can honestly say I don't know.

    Sharpness is excellent at all focal lengths, even the difficult 300mm long end of the zoom. I wouln't say overall its sharper than the 70-200mm F4 IS but in the same league. Contrast is excellent starting at wide aperture and the CA are well controlled which contributes to a perceived sharpness that blows your mind. The IS stabilization works much better than the one in my 15-85mm lens. I would say the 4 stops equivalent is accurate. There is a switch to go from stationary to panning IS modes.

    If you haven't played with a white L lens before its hard to describe the feeling you get when you shoot with one. The build quality is just superb. Everything about it makes you fall in love.

    This lens is the first Canon lens to feature flourene coating over the front and rear lens elements, which make it easier to clean. It is the same coating used on the AA filter over the sensor.

    The focus ring is behind the zoom ring (closer to the camera body) which is my preferred ideal location. This is opposite from the other 70-200 L lenses. Since this is a full-time manual focus (quick shift) lens I can hold the focus ring even while it focuses in Auto mode.

    Speaking of the other 70-200 L lenses, I had a very hard time deciding which one to pick. I eventually was deciding between the F4 non-IS version, the F4 IS version, and this one. All lenses show excellent sharpness so I wasn't too worried about that. The F4 non-IS looked so enticing because of the price but I've played with non-IS telephoto lens before and its difficult without stabilization. Even a fast aperture F2.8 70-200 lens, despite sharp images due to faster shutter speeds, will still have a hard time composing/framing a shot while your hand shakes. If you use the tripod a lot, I say go for the F2.8 non-IS version versus the F4 IS version. But I like to take pictures on the go, so it was the F4 IS version for me. So then, I thought..well..the 70-300 L has 100mm more reach and to get the equivalent with the 70-200 F4 I have to put a 1.4x teleconverter (actually its 280mm). To me, the added item in my camera bag and risk of more dust particles taking off the lens wasn't appealing. Besides its not a full 70-300 focal lenth, its either 70-200 or 98-280. The final kicker was that I wanted something more compact, and the 70-300 won me over.

    I know the F4 version is constant aperture, but when you add the 1.4x teleconverter it loses a full stop of light so essentially it was similar to the 70-300 f4.5-5.6 anyway. And both lenses are weather-sealed, despite the zoom on the 70-300.

    So then the pricing....*tear. At 1500 bills this thing better be on the camera body 24/7, right? It is at least 200-300 more than the F4 IS version. But equivalent in price if you add the cost of the teleconverter so I get where Canon is coming from. Still, I find myself not using this lens enough to warrant the price. There are two other 70-300 versions out there that perfom decently in absolute terms, but great with respect to their prices. So does this lens perform? OH YES. Is it worth its cost? Not so much for the kind of photos I usually take. Will I sell it? The funny thing is...probably not, because I already fell in love with it.

    UPDATE 8/31/11 *******************
    Since my initial review I thought more about the cost vs worth factor. First of all, Canon does not include a tripod mount with this lens. I don't know whats up with that since this is one of their longer focal length zoom lenses, and its a pricey L lens at that. Shame on Canon. There are 3rd party mounts out there, but they are few and of low quality. For the most part though, the IS stabilization is pretty darn good to make up for it. Another note I should point out is that if one goes for the 70-200 + 1.4x converter setup, then you get the slightly better magnification ratio of (.21x)*(1.4x) =~ .30x or 1:3.4 (both the 70-200 and 70-300 have native .21x magnification ratio). Take heed though, that the 1.4x converter comes at the cost of added chromatic aberration (color fringing) and distortions. The 70-300 is not compatible with the 1.4x converter or any Canon converters for that matter. It does take extension tubes, but at the 300mm focal length its not that effective (the larger 25mm extension tube gives .29x magnification ratio). There is a Canon 500D 72mm close-up filter with +2 diopter power that can change the 70-300 into a very nice .81x close-up photography lens. You would need a 67mm to 72mm step up ring however, and unfortunately the hood would no longer slip over the 72mm size filter. Another thing that consumers need to know, this 70-300 lens is not exactly white. Its more of a greyish white. Its hard to know that just by looking at the pictures.

    The performance of this lens still amazes me. The zoom barrel extends and retracts fluidly and there's no wobbling of any sort. It too is all metal and white. The focus ring is smooth like silk on a baby's bottom, and it truly makes manual focus a divine experience. The throw is not too long or short (120 degrees), with just enough sensitivity to make minute adjustments. It does help that the focus ring is closer to the body since I naturally hold the lens at the base. One thing that may be the reason for not including the tripod mount was that, with it mounted, it may get in the way of reaching the focus ring since the mounting area is just right behind it. The autofocusing speed is very fast and silent. The bokeh from out-of-focus planes are beautiful, and is still quite easy to get even with f/5.6 aperture because of the 300mm long focal length and tiny depth of field.

    With all this in mind, I would recommend this lens if you really want that extra 100mm zoom without the hassle. Otherwise, the 70-200 F/4 IS may work for you if you can simply walk closer to your subjects. I have no regrets owning this lens because its a marvelous lens nonetheless!
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  • Rc
    5.0 out of 5 stars Excelente compra valió la pena
    Reviewed in Mexico on March 19, 2017
    Style: Lens OnlyVerified Purchase
    Muy buen lente, tiene una nitidez excelente en cualquier distancia focal.
    Muy buena compra Valió la pena el gasto
    ...
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  • eddison li
    5.0 out of 5 stars Fantastic photos using this lens
    Reviewed in Singapore on November 13, 2020
    Style: Lens OnlyVerified Purchase
    Lightweight tele lens from Canon
  • Kristie Shinohara
    5.0 out of 5 stars The lens was in pristine condition! Been using it ever since it arrived, and couldnt be happier
    Reviewed in Canada on November 30, 2022
    Style: Lens OnlyVerified Purchase
    I couldn't be happier with the lens, the seller ensured it was packed well, and deacribed the condition 100%. I would 100% buy from the seller again!
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    Kristie Shinohara
    5.0 out of 5 stars
    The lens was in pristine condition! Been using it ever since it arrived, and couldnt be happier

    Reviewed in Canada on November 30, 2022
    I couldn't be happier with the lens, the seller ensured it was packed well, and deacribed the condition 100%. I would 100% buy from the seller again!
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  • Luca
    5.0 out of 5 stars Eccellente teleobiettivo della leggendaria serie L bianca di Canon
    Reviewed in Italy on October 9, 2016
    Style: Lens OnlyVerified Purchase
    Eccellente teleobiettivo della leggendaria serie L bianca di Canon. Si tratta di un prodotto professionale che soddisferà anche l'amatore più esperto. Particolarmente indicato per reflex full-frame, dove il 70-200 mm risulta un poco "corto". Canon è diventata leader di mercato con gli obiettivi EF della serie L per le sue reflex EOS (analogiche dal 1987, digitali in seguito), il riferimento di mercato per i professionisti. Ancora oggi nessuno può rivaleggiare Canon circa i teleobiettivi professionali. Se non siete dei professionsiti ma siete degli obbisti esigenti ed avete una certa propensione alla spesa, lasciate perdere Nikon e scegliete Canon.
  • Lynn
    5.0 out of 5 stars Versitile and light weight
    Reviewed in Canada on September 21, 2022
    Style: Lens OnlyVerified Purchase
    Item as described and in wonderful shape for a used piece. Item packaged well and arrived in a reasonable timeframe.