From the Director of The Nightmare Before Christmas comes a visually stunning stop-motion animated feature. Coraline Jones is bored in her new home until she finds a secret door that leads her into a world that's just like her own...but better! But when this fantastical adventure turns dangerous and her "other" Mother tries to keep her forever, Coraline must count on her resourcefulness and bravery to get home. Coraline is "a visual marvel." (Claudia Puig, USA TODAY). Directed by: Henry Selick

Features include: •MPAA Rating: PG•Format: Blu-Ray

Picture talking animals giving mating advice to a zookeeper who's an absolute loser with women, add a hefty dose of slapstick humor, and you've pretty much summed up Zookeeper. Griffin is a disaster with the ladies, as was proved by his failed marriage proposal to the self-absorbed Stephanie several years ago, but he's really good with animals. The animals have listened to Griffin pine over Stephanie for years, so when they overhear Stephanie saying that perhaps her rejection of Griffin was too hasty, they take action. They decide to help Griffin rekindle the relationship and become the alpha male that Stephanie wants him to be.

Pure. Popcorn. Entertainment. That's an exact classification of director Michael Bay's Transformers: Revenge of the Fallen. Think of Transformers 1 on crack. In other words, this sequel took all of the extreme elements that made fans love the first movie and increased them exponentially. The action is nonstop, with battles and explosions from start to finish. The camera (without any subtlety) exploits Megan Fox's hotness to the max. As if she weren't enough, a new sex kitten (Isabel Lucas) is thrown into the equation.

After a much-needed break, forensic anthropologist Dr. Temperance Brennan (Emily Deschanel) and FBI Special Agent Seeley Booth (David Boreanaz) return to the Jeffersonian Institute, along with their team of investigative "squints," for another darkly humorous season of murder, mystery, controversy and chemistry. In addition to a vast array of personal crises, ranging from Angela's secret pregnancy to Booth's new relationship with a beautiful reporter, the team tackles a complex caseload of gruesome crimes that includes facing a murderous Chupacabra, a trip to the Jersey Shore, the final return of the Gravedigger, and a vigilante sniper with a deadly link to Booth's past.

By following up their debut thriller Bound with the 1999 box-office smash The Matrix, the codirecting Wachowski brothers--Andy and Larry--annihilated any suggestion of a sophomore jinx, crafting one of the most exhilarating sci-fi/action movies of the 1990s. Set in the not too distant future in an insipid, characterless city, we find a young man named Neo (Keanu Reeves). A software techie by day and a computer hacker by night, he sits alone at home by his monitor, waiting for a sign, a signal--from what or whom he doesn't know--until one night, a mysterious woman named Trinity (Carrie-Anne Moss) seeks him out and introduces him to that faceless character he has been waiting for: Morpheus (Laurence Fishburne).

The third film based on C.S. Lewis's fantasy books, The Voyage of the Dawn Treader opens three years after the Pevensie children return from battling to restore peace to Narnia in The Chronicles of Narnia: Prince Caspian. Edmund (Skandar Keynes) and Lucy (Georgie Henley) are still staying with Eustace (Will Poulter), while Peter and Susan have gotten older and moved on to school and America, respectively. Still as surly and unbelieving as ever, Eustace continues to mock his cousins for their Narnian fantasies.

For those who believe true love lasts beyond this physical plane, P.S. I Love You is a jewel in the romantic-movie crown. With elements of Ghost, Heaven Can Wait, and My Life, the film is an unabashed valentine to the notion of lasting (everlasting) love. Hilary Swank is Holly, a deeply happy lass married to the most impossibly adorable Irishman on the planet, Gerry (Gerard Butler). When an illness takes him from her, Holly spirals into depression.

Natural Born Killers: The story of a husband and wife who are serial killers involved in a cross country killing spree that elevates them from fugitives into media celebrities. Any Given Sunday: Life is a contact sport and football is life when three-time academy award-winning filmmaker Oliver Stone and a dynamic acting ensemble explore the fortunes of the Miami Sharks in Any Given Sunday. At the 50-year line of this gridiron cosmos is Al Pacino as Tony D'Amato, the embattled Sharks coach facing a full-on blitz of team strife plus a new, marketing-savvy sharks owner (Cameron Diaz) who's sure Tony is way too old school.

Over the top Ridiculous Yes, indeed. But Horrible Bosses is actually a truly hilarious movie that wings along on the strength of its leading actors and their amazing chemistry--and on its great high-concept premise. Three friends, Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day), commiserate about their three respective Horrible Bosses. And yes, each is the worst kind of HR nightmare. Nick's boss is Dave (Kevin Spacey, terrific), a control-freak megalomaniac. Kurt's is Bobby (an almost unrecognizable Colin Farrell), a skeevy cokehead.

Harry Potter and the Sorcerer's StoneHere's an event movie that holds up to being an event. This filmed version of Harry Potter and the Sorcerer's Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings to life Harry Potter's world of Hogwarts, the school for young witches and wizards. The greatest strength of the film comes from its faithfulness to the novel, and this new cinematic world is filled with all the details of Rowling's imagination, thanks to exuberant sets, elaborate costumes, clever makeup and visual effects, and a crème de la crème cast, including Maggie Smith, Richard Harris, Alan Rickman, and more. Especially fine is the interplay between Harry (Daniel Radcliffe) and his schoolmates Ron (Rupert Grint) and Hermione (Emma Watson), as well as his protector, the looming Hagrid (Robbie Coltrane).

Clint Eastwood's Gran Torino, an unassuming picture shot during a post-production lull on his elaborate period piece Changeling, was quietly rolled out at Christmastime 2008, whereupon it proceeded to blow away all the Oscar-bait behemoths at the box office and win its 78-year-old star the best reviews of his acting career. Both film and performance are consummately sly--coming on with deceptive simplicity, only to evolve into something complex, powerful, and surprisingly tender. Just as Unforgiven was a tragic reflection on Eastwood's legacy in the Western genre, Gran Torino caps and eloquently critiques the urban heritage of Dirty Harry and his violent brethren.

Friends' fourth season, one of the very best and most consistently satisfying, begins with Chandler urinating on Monica's leg to relieve a jellyfish sting. It ends with the two in bed and in lust. In between are several benchmark episodes and rich, character-enriching plot developments that keep this series from coasting on comfort level. Phoebe (Lisa Kudrow) agrees to become a surrogate mother for her long-lost brother (Giovanni Ribisi). Chandler (Matthew Perry) "crosses the line" after falling in love with Joey's girlfriend, and is forced to spend one memorable Thanksgiving in a box.

Crazy, Stupid, Love is a romantic comedy with a big heart--a refreshing change from its Hangover-laden compatriots, and almost a throwback to a golden era of romance. For Crazy, Stupid, Love relies on the sharp writing by Dan Fogelman (animated hits like Bolt, Tangled) and the sparkly chemistry of its cast, led by Steve Carell, Ryan Gosling, Julianne Moore, and the emerging superstar Emma Stone. It's not that the plot is ground-breaking--maybe, in fact, the appeal of Crazy, Stupid, Love is that it's all too relatable. Cal (Carell) is long married to Emily (Moore), until one day she drops divorce on him, out of the blue.

Welcome to the second season of this ingenious and clever yet warm-hearted sitcom about sitcoms. On the surface, Community follows the misadventures of a study group at a mediocre community college, but it's really a loopy satire of TV comedy, taking every opportunity to deconstruct the absurd rules and accepted structures that shape almost every sitcom ever made--while, without missing a beat, making brilliant use of those rules and structures to create wonderfully likable characters and tell delightfully funny stories.

Live At The Royal Albert Hall was recorded on September 22 at the height of what has been an amazing year for Adele. Available on DVD and Blu-ray, "Live At The Royal Albert Hall" features the full 90 minute concert performance, plus special behind the scenes footage shot throughout the day leading up to the concert.The package also includes an exclusive live CD of the entire show.

For those who never thought Disney would release a film in which Santa Claus is kidnapped and tortured, well, here it is! The full title is Tim Burton's The Nightmare Before Christmas, which should give you an idea of the tone of this stop-action animated musical/fantasy/horror/comedy. It is based on characters created by Burton, the former Disney animator best known as the director of Pee-wee's Big Adventure, Beetlejuice, Edward Scissorhands, and the first two Batman movies. His benignly scary-funny sensibility dominates the story of Halloweentown resident Jack Skellington (voice by Danny Elfman, who also wrote the songs), who stumbles on a bizarre and fascinating alternative universe called ... Christmastown!

When a dog wriggles his adorable rear end into a human's life, the human will never be the same. And both Marley, the dog, and Marley & Me, the movie, manage to endear themselves deeply despite a few wee flaws. Readers of the John Grogan bestseller already know the raffish charm of the incorrigible yellow lab puppy, Marley, adopted by Grogan and his wife because she's "never seen anything more adorable in my life." But Grogan's simple tale of love, in all its forms, shines on the big screen, thanks to deft comic turns by Jennifer Aniston--in top form here--and Owen Wilson.

Mad Men returns, and guess what  It’s still one of the best shows on TV.  Season two continues the slow progression to absolute greatness.  The first season left us with a number of cliffhangers, and the beginning of the second season doesn’t cleanly wrap things up.  Instead, we leap forward nearly 2 years and are thrown into an even more tumultuous time where the Norman Rockwell-idealized era is only ideal on the surface (slightly below we find rampant alcoholism, marriage dissolution, casual sexism and racism).  .

Everything about Mad Men is stylish, even when it's all falling apart. And in season 3 of this Emmy-winning drama, many things fall apart--marriages, childhood, even the ad agency itself--but the unspoolings play out delicately and tragically, making for utterly compelling television. Don Draper (Jon Hamm) appears to dedicate himself to being a devoted family man, with the impending birth of his third child with Betty (January Jones), but the premiere episode, "Out of Town," has him right back to his philandering ways..

Based on Anthony Swofford’s excellent memoir about his experiences as a Marine Sniper in Gulf War I, Jarhead is a war movie in which the waiting is a far greater factor upon the characters than the war itself, and the build up to combat is more drama than what combat is depicted. To some viewers hoping for typical movie action, this will seem like a cruel joke. But it’s not. It’s just the story as it was written, and if you liked the book, you will probably like the movie. If you didn’t, then the movie won’t change your mind.

The winner of 10 Academy Awards, this 1961 musical by choreographer Jerome Robbins and director Robert Wise (The Sound of Music) remains irresistible. Based on a smash Broadway play updating Shakespeare's Romeo and Juliet to the 1950s era of juvenile delinquency, the film stars Natalie Wood and Richard Beymer as the star-crossed lovers from different neighborhoods--and ethnicities.

Jim Carrey does wonders with a slight premise that finds his reserved, emotionally-distant character, Carl Allen, a banker who routinely turns down loan applications, accepting a challenge to open up to life by saying "yes" to everything. A man who constantly disappoints friends by weasling out of opportunities for bonding and happiness, Carl radically changes into a creature of complete spontaneity.

Adam Sandler vaulted into the $20-million-salary stratosphere with this, his second $100-million hit in 1998--a movie that further shows just how deeply embedded he is in the Jerry Lewis tradition of idiot comedy. He plays Bobby Boucher, a backwoods Cajun and a mentally challenged individual with a fixation on water: specifically, on serving the coolest, most refreshing H2O available to the college football team he has served since he was an adolescent. But when he's fired from his position, he takes up a similar job with a lowlier college team coached by neurotic Henry Winkler.

If you think Jim Carrey's comedy is an acquired taste, think of The Cable Guy as a potent bottle of bittersweet wine. The film has a lingering aftertaste, but it is just a bit too dark, a bit too extreme to invite another serving. On the other hand, you've got to give Carrey some credit for risking his $20-million paycheck (and a big chunk of box-office revenue) on this black comedy. A needy, psychologically unbalanced cable-television installer (Carrey) forces his friendship upon an unsuspecting bachelor (Matthew Broderick) who has just broken up with his fiancée.